Break it on purpose. Put it back. Then run gold down every crack, so that the breaking is the most beautiful thing about it.
Kintsugi is a real repair, not a metaphor somebody invented later. Japanese lacquerers have mended broken ceramics with urushi lacquer dusted with powdered gold since around the fifteenth century. The join is deliberately not hidden. A mended bowl is worth keeping precisely because you can see where it went, and how carefully somebody brought it back.
The pieces here are real Voronoi cells, which is why the seams fit. The bowl is a convex outline; a scatter of points is dropped into it, weighted towards wherever you struck it; and each shard is the outline clipped against the perpendicular bisector between its own point and every other one. Two neighbouring cells therefore share an exact edge rather than two edges that nearly meet — so when the gold goes down the crack it goes down one line, not a gap.
Drop a piece near where it belongs and it will settle itself the rest of the way. There is no timer, no score and nothing you can do wrong — and when it is whole again you can break it once more, which is the only thing this drawer is for.